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Plinth - Drastic Spatula (2005)

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  "If I've learned one thing from 27 years in the music business it's that you can't just go around biting people on the leg" - the words of Plinth Drummer Nobby Cobworth, shortly before his death from Psoriasis last year. It would be easy to dismiss such characteristic outbursts as mere attention-seeking, but if anything Plinth were a band that should've sought more attention, and such much-sought-after attention would've been richly deserved. Cobworth first met guitarist Ron Broth and bass player Andy Whelks in the mid-1990s when the duo were working in the Dragon, Wagon and Flagon pub in Droylsden, and performing as Chocolate Sikh every other Friday with singer Hattie Latimer. He convinced them that success was imminent, so long as they changed their name and let him join the band. And had a flexible definition of the word 'imminent'. Also, Hattie wouldn't be allowed to sing, but had to provide sexual services. A demanding set of request...

Twolips - 375 (2024)

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Released only last year, the third album by Austrian vox-pop pioneers Twolips has already become something of a modern classic. Maybe even a classic classic, but of the modern kind, obviously. 375 builds seamlessly upon the selflessly egotistical ramblings of their previous efforts, 324 and 326, to deliver another bout of what can only be described as 'incurable sonic thrush'. Bursting onto the scene in 2020, the duo cared little for convention, politeness or indeed personal hygiene, and it was perhaps this mono-mindedness that allowed them to come up with three albums in as many years. If 'as many' is actually four. Gunter Cunt and Shabric Shamanson were no strangers to the business, of course, having previously played vertical synthesizers in Samovar and dogSodomy respectively, but the latest album takes things to a new level. Quite literally. Though not, of course, literally. The standout track is probably 'Crab Scandal', which packs more oscillatory ...

Chester Forfeit - Galapagos (1976)

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  The name Lemuel Strongtrout may not mean a lot to you, but it means even less to Strongtrout himself, who has spent much of the past 50 years trying to escape it. A member of Toronto psych-prog outfit Mit Avec in his late teens, he recorded one album with them as lead singer, before all his bandmates tragically died in a series of murders that he himself definitely didn't commit, and for which he had a series of watertight alibis. Strongtrout left his native Canada - with his head held high and reputation unsullied - to lie low for a while, and, in time, to record the seminal 'Galapagos' album, released under the pseudonym Chester Forfeit , which made him an international star and indeed an unlikely sex symbol. With its capricious licks and plunging fuck-funk basslines, it was a record that literally everybody owned in the late 1970s, and under some jurisdictions non-ownership was actually punishable by imprisonment. Forfeit had the world at his feet - at his foref...

Modicum - Autoslave (2001)

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  6a Froob Glebe. If that address means nothing to you then you have to ask yourself some pretty searching questions, for it was in this modest flat in Llandudno that Barry Gluto and Tag Jaggings first experimented, both musically and sexually, as a pair of harpsichord-obsessed teenagers. Simple, catchy tunes and relatable lyrics about Orthodontics and Barry's mothers recipe for Chicken Rigmarole - indeed this was their original band name before they settled on Modicum - saw the pair become the darlings of the burgeoning 'Welshpop' scene. Their self-titled debut from 1999 may not have been up to much, but then people had Millenniums'n'shit to be worried about. The release of 'Autoslave' in 2001, however saw Modicum become a household name. By the time they released their third album in 2004, they had long since moved out of Froob Glebe and into a series of mansions. They embarked on a worldwide tour, supported by Rictus Thumb, and the sky seemed to have no...

Migraine - Death of Choice (1983)

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Forest Fire Citation - Chickadee (1988)

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  Obviously Forest Fire Citation are best known for their epic 1970s albums P. Bryan Twyne and the Pype of Wine and, of course, The Squirrels of Blame . One would have to be a completely idiotic retarded mindfuck not to know this really basic fact. However, like many of their folk-rock ilk, the band continued to record, release and perform new music long after their star had faded, and indeed are still active today, albeit with none of the original members on board, though drummer Reg Pegson continues to act as a sort of 'percussion consultant' to the group, even at the brisk old age of 104! Amongst their later catologue, 1988's Chickadee is perhaps the highlight. Their ninth album overall, it saw FFC reinventing themselves through the abandonment of traditional folk instrumentation, each member adopting instead a selection of home-made instruments, fashioned from household objects, kitchenware, car parts, cheesewire and so on. While this undoubtedly gives the record an ...

Empty Stock Workings - Gurning on Empty (1975)

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  Everybody loves prog rock, right? I mean, even those who don't loves prog rock loves prog rock. Right? That was certainly the view in 1977 and indeed in most of the Western World became the law for a short period of time. Although their debut album sank without a trace - in many cases quite literally as 90% of the known copies were on board the ill-fated Girth Hound ocean liner when it tragically capsized in 1973 - Empty Stock Workings had been building momentum throughout the decade with their unique blend of vocals, instrumentation and songs. Arse Tea and its follow-up Poo Wine were both moderately successful records, before the arrival of Canadian guitarist David Carvery and keyboard player Jan Hospice allowed them to take their sound to new and experimental places. 'G on E', as it's affectionately known, opens with the 13 minute epic 'Temple of Messenger', composed largely by bassist Matthew Scrotum, while side two includes the band's biggest hit ...