Nub - Pissinfectant (1997)

 

When Nub first collapsed onto the scene in 1995 with their self-titled debut album, they defied categorisation. 

Even Professor Bertrand C. Treband, head of band categorisation at the University of Oxford Institute of Categorising famously failed to categorise the band, eventually reducing the options to 'post-post-punk' and 'pre-post-post-post punk', both of which were rejected by all four members of the power trio.

By the time they released Pissinfectant, they had settled on a more defined sound that, while still essentially uncategorisable, could at least be categorised as 'not actually very good'. Not that this mattered to their legions of hardcore fans, most of whom were equally not very good at their jobs, lives or relationships.

And it was to this sense of failure that Nub appealed - loudly. This second album was literally recorded in the hope that it would fare worse than the first. Tracks such as 'Mob-handed pipe jockey' and 'My invisible slug' demonstrate not only a knack for tunelessness but also a near-inability to play instruments out of tune either. 

Ollie Fenbrook's guitar work is particularly bad, which provided some degree of comfort to Nub fans all over the world. The running time of just 19 minutes 32 seconds came as both a surprise and a relief.

It's written in the sleeve notes that Douglas Hemp played keyboards on all but four tracks. And yet, curiously, there are only four tracks on the album.

 

Discographicalz

  • Nub (1995)
  • Pissinfectant (1997)
  • The Heritage of Jeopardy (2000)

 

 

 

 

 




 

 

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